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MAGAZINE

The modern couple: loving without losing yourself

A conversation by the pool at a holiday club in Djerba, between a Frenchwoman and Ania, a young Polish woman. Two generations, two countries — and the same realization: couples have never been so free, or so demanding. A report on the modern art of loving without losing yourself.

✍ An idea from Audrey, in Djerba.

It begins like all good ideas do: by chance. Under a parasol, between two dips in the pool, a conversation gets going with Ania, a young woman from Poland. We talk about everything, then about what matters most: love, being a couple, what we expect from it. And very quickly, one truth crosses miles and generations — from Warsaw to Paris, the questions are the same: how do we remain two without becoming one? How can we be free without being alone?

It all begins with a conversation (Munich, 1973).
It all begins with a conversation (Munich, 1973).

It wasn’t so long ago that the question never even came up. The couple was an institution before it was a story: people married to build a family, to pass things on, sometimes to survive — and each received their role with the wedding ring. They stayed together because they had to, because everything — family, village, law — kept the door shut. Love certainly existed, but it wasn’t the contract; if you were lucky, it was the bonus.

Today: heads together, the world in a pocket (2017).
Today: heads together, the world in a pocket (2017).

Then everything changed in barely two generations. Sociologists have a name for what happened to us: the “pure relationship,” described by the British sociologist Anthony Giddens — a couple held together no longer by obligation, but by choice, and lasting only as long as each person gets something out of it. It is an immense freedom, and a dizzying one: when nothing forces us to stay, everything rests on the quality of the bond. The modern couple no longer lives under a roof; it is a house rebuilt every day.

Its first building block is independence. Two jobs, two circles of friends, two secret gardens, sometimes two bank accounts — and that isn’t selfishness: it is what allows each person to enter the relationship whole. Ania put it beautifully: she isn’t looking for a better half; she’s looking for a partner. And the foundation of that partnership rests on one word that every language in Europe is conjugating right now: respect — for the other person, their time, their silences, their ambitions.

Really talking: two people, a sunlit walkway, time (London, 2016).
Really talking: two people, a sunlit walkway, time (London, 2016).

But let’s be honest: when independence is made a religion, it mostly creates well-organized loneliness. A couple of two perfectly self-sufficient people who never bend has another name — a shared flat. Compromise isn’t defeat; it is the very craft of loving: yielding on the movie, the destination, the color of the sofa, and sometimes much more, without keeping score. The couples who last aren’t the ones who give up nothing; they’re the ones who know what they’re giving things up for.

And then there is reality, which doesn’t care about theories: work, home, family, children. Modern love is proved less in declarations than in logistics — who gets up tonight, who cuts their workday short, who keeps track of everyone’s calendar. Taking responsibility is the least photogenic and most serious declaration of love there is. In a couple today, everything can be renegotiated except this: being there when it’s your turn, and sometimes even when it isn’t.

The reality of a couple: the whole family together (Kentucky, 1974).
The reality of a couple: the whole family together (Kentucky, 1974).

So, the modern couple? More fragile than before, since nothing compels it anymore — and stronger than before, since every day together is a chosen day. Free, respectful, responsible, able to compromise: it’s a demanding program, and perhaps that’s what makes it beautiful. Thanks to Audrey for the idea, and to Ania: proof that the best conversations happen on holiday. On our webcams right now, couples are walking through the squares of Warsaw, Paris, and Djerba — look at them: each at their own pace, all heading in the same direction. Good vibes on this round Earth.

Each at their own pace, all heading in the same direction: New York, 1973.
Each at their own pace, all heading in the same direction: New York, 1973.
Photo credits
1. Uncredited photographer, September 1973, EPA’s Documerica series. Public domain. U.S. National Archives and Records Administration (NARA). Wikimedia Commons, File:MUNICH'S LARGE AND BEAUTIFUL FUSSGANGERZONE (PEDESTRIAN ZONE)... - NARA - 551848.jpg
2. Unsplash photo, 2017. CC0 (public domain). Wikimedia Commons, File:The young couple is calling someone. (Unsplash).jpg
3. Unsplash photo, 2016. CC0 (public domain). Wikimedia Commons, File:London couple dock (Unsplash).jpg
4. Uncredited photographer, June 1974, EPA’s Documerica series. Public domain. U.S. National Archives and Records Administration (NARA). Wikimedia Commons, File:Photograph of the Jerry Rainey Family - NARA - 556539.jpg
5. Uncredited photographer, 1973, EPA’s Documerica series. Public domain. U.S. National Archives and Records Administration (NARA). Wikimedia Commons, File:COUPLE PAUSES AT THE CORNER OF FIFTH AVENUE AND 79TH STREET... - NARA - 551742.jpg

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