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Audiobooks Read by volunteers

Audiobook · read by volunteers

Ghosts' Moonshine

Thomas Lovell Beddoes (1803–1849)

Read by bivlo, BLRossow, Clarica, Cori Samuel, Esther, Jc Guan, James Gladwin, J. M. Smallheer, Keri Ford, Katie Gibboney · 14 chapters · 26 min

Chapters

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Cover of “Ghosts' Moonshine”
LibriVox cover · public domain

About the book

Fourteen different recordings of the same short poem, each with a voice of its own. The Ghosts’ Moonshine is a short and strange piece by Thomas Lovell Beddoes, a poet drawn to graveyards, spirits and the eerie borderland between life and death. Its very title promises ghosts and moonlight. Because each version is a separate reading, you can hear how tone, pace and emphasis change the poem: a reader may choose to make it solemn or a little mischievous. Each recording is brief, so the whole collection lasts only around twenty-five minutes, and you can dip in at any point or listen straight through. It is a good choice for lovers of Gothic poetry, for anyone curious about comparing performances, and for a short, atmospheric listen on a dark evening.

Introduction

Thomas Lovell Beddoes lived from 1803 to 1849 and is remembered as an English poet and dramatist with a taste for the macabre. The son of a physician, he studied medicine in Germany and spent much of his adult life in Germany and Switzerland, where he died in 1849. His best-known work is the verse drama Death’s Jest-Book, which he reworked for years and which was published only in 1850, the year after his death, and he wrote with a mixture of Gothic imagination, dark humour and a sustained interest in death and the afterlife. His poems circulated slowly during his lifetime and found wider readers only later, after his death.

The Ghosts’ Moonshine belongs among his shorter poems. It is a compact piece whose title promises ghosts and moonlight, in keeping with the taste for the supernatural that runs through his work.

This recording is part of the weekly poetry project that LibriVox volunteers run. Each week a short poem is chosen, and many readers record it independently, so the result is a set of versions rather than a single performance. Here there are fourteen, each labelled with the reader’s initials, and the collection lasts around twenty-five minutes in all.

That structure is the chief pleasure of the recording. Hearing the same lines read again and again lets you notice small differences in rhythm and mood, and see how much a reader’s choices shape a poem. Because the poem is so short, you can compare all fourteen versions in a single sitting. It is well worth hearing for lovers of Gothic verse and of poetry read aloud.

Public domain

Thomas Lovell Beddoes died in 1849: the work is in the public domain in Switzerland, more than 70 years after the author’s death.

The LibriVox volunteers dedicated this recording to the public domain.

Sources : LibriVox page · Files at the Internet Archive · Original text

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